art and communication

Can I Blame It On Gravity? by Patricia Raible

Bulletin.jpg

What We Carry, ©Patricia Steele Raible, 24” x 17.75”, mixed media on deep wood panel

In his book Seeing Places artist Brian Rutenberg (http://www.brianrutenbergart.com) talks about the copy of Emanuel Leutze’s Washington Crossing the Delaware that hung over his childhood bed, saying it is still one of his favorite paintings. This painting is symbolic for him, and he remembers the first time he saw the original while visiting his grandparents in New York. While I didn’t grow up with art on the walls, by the time I was in my twenties I had begun collecting posters. I now have copies of the art of Georgia O’Keeffe, Alan Magee, Peter Blume and about a dozen originals by wonderful regional artists. They all give me joy and never fail to draw me in.

Rutenberg calls making art a “gravitational pull.” He is right. It is not something I could stop willingly. So if my artwork touches people and they want to buy it, I am truly gratified. But it is also okay if they are moved enough to put an image on their refrigerator. What is critical is whether my paintings resonate with the viewer.

I was particularly pleased to have been asked by a staff member of the St. Simons Island, Georgia, Presbyterian Church(https://www.sspres.org) if they could feature What We Carry on the front of their church bulletin. While my images have been used in my own church, this was the first request from another community. For those at the St. Simons church, I can only hope that the painting provided a path into worship. 

 

Connections by Patricia Raible

Detail of "Fight Song," 36" x 24", mixed media on board

Detail of "Fight Song," 36" x 24", mixed media on board

This past weekend was the second time in as many weeks that I visited my mother and she did not know me. There are many possible reasons for this—medication, the progression of her Lewy Body Dementia, the fact that she is waking from a deep sleep. 

It saddens me in many ways, but once I tell her who I am and help her connect, there is still lucid conversation. When I tell her about my four-month-old grandson’s crying and tummy troubles, she remembers my brother who died in August. Then she says: “You were no trouble, always happy.” Of course, this is not what she said while I was growing up or what she would have said a few months ago, but it is lovely to hear. I have to fight the tears because I want us to talk about happy memories, and I want to keep her connected to the present as long as I can.

So how does this relate to art? I think it has to do with the layers that I texture, paint, and collage. I was reminded of this when teaching a workshop this past weekend. My paintings have so many layers, some of which I like and some of which I don’t.  I may bring one to the surface and then decide I don’t like it or don’t like part of it. Or I may create a layer that is a combination of what is below and the new elements I add to the top.

Putting something new on the surface doesn’t change that initial layer; it just adds to it, making it richer, more complex. It connects each piece, allowing me to focus on what is most important. Life is like that too.

The Rewards of Sharing by Patricia Raible

"Dual Duty," 16" x 20," Mixed media on deep wood panel   

"Dual Duty," 16" x 20," Mixed media on deep wood panel

 

I think sharing is important no matter what you do. You would be surprised that so many people are interested. “Show and Tell” is not just for kindergartners.

For the full blog go to https://wordpress.com/posts/patriciar2013.wordpress.com

 

 

 

Positives from Negatives by Patricia Raible

unfinished painting

“What do you do with everything that is cut away?” she asked Tilman, thinking now about the negative space of stone sculpture, the stone that is discarded, thinking too about how she had thrown away huge pieces of her own early life…”
from The Stone Carvers by Jane Urquhart.

For the full blog go to https://wordpress.com/posts/patriciar2013.wordpress.com