contemporary art

For Mother Nature by Patricia Raible

"Camping," 11" x 14", Mixed media on canvas with paper, fabric, and charcoal pencil

"Camping," 11" x 14", Mixed media on canvas with paper, fabric, and charcoal pencil

It is a very hot July day, and I have just hiked two miles over a moderately difficult trail. Of course I hear it before I see it. That’s always the case for waterfalls, but I do not expect it to be so large and powerful. As the trail flattens out at the last rise there is a railing. I stop immediately, finding myself being cooled and tickled by the spraying water from Rainbow Falls. It is difficult to believe something like this is in the middle of the forest in a gorge in North Carolina. A discovery all my own; a discovery shared by so many. 

Peter Wohllenben, author of “The Hidden Life of Trees,” believes trees speak a “silent language,” one that communicates via smell, taste, and electrical impulses. But it is not just forests. I have also seen the ocean speak. I see people sit and stare at it for hours, bathe themselves in its saltiness, and walk its sand looking for reminders of their visit to what can only be called a sacred place. And now, of course, waterfalls.

These are all magical places. Transforming places. Since childhood, these were places that opened me to myself, soothed my soul, and offered me solace, inspiration, and just plain happiness. So, you can understand why I have a difficult time understanding those who would destroy it for their benefit and who would try to convince me they were actually doing it for mine. 

Artists have either painted or used almost every aspect of our natural world as model or inspiration. We are quite indebted to its beauty and power. I am particularly indebted and have made a small gesture acknowledging my thankfulness. I know it’s a small gesture; “a drop in the bucket” would be the term. However, as I have noticed in many plumbing events at my house, many drops do fill a bucket. So I have aligned myself with a generous site called For Mother Nature which links artists with those who love nature. It is not a direct sales site, but rather a network of artists who support various environmental causes with a percentage of their sales. As part of their network, I have pledged to donate 10% of all my sales to Friends of the Earth. 

Friends of the Earth (https://foe.org) has been around for almost 50 years working to protect people and wildlife through systemic reforms and collaborative effort. They have grassroots groups in 77 countries and currently focus on clean energy and solutions to global warming, protecting people from toxic and new, potentially harmful technologies, and promoting smarter, low-pollution transportation alternatives. They also believe that the fight for justice and the movement to protect the health of the planet are part of the same struggle.

If you are committed to trying to sustain our world, please check out http://formothernature.comand their many artists. If you are a concerned artist, please consider being part of http://formothernature.com.

Finishing by Patricia Raible

paul-cc3a9zanne-la-montagne-sainte-victoire-vue-des-lauves2.jpg

 

La Montagne Sainte Victoire vue des Lauves, 1901 – 06, Paul Cézanne

 

Is an artwork ever finished? Some artist can say yes, sign it, and let it go out into the world. Others, unless (it goes into the world) will keep changing and refining it. So we have finish as in “complete” and finish as in “process.”

 When I did a little research I found that Paul Cézanne was among the painters who left so many paintings incomplete. One historian blamed some of this on his analytical methods and his use of thickly placed layers of paint since it likely took months to finish any piece. But editors of a book called Cezanne Finished- Unfinished explain that the unfinished areas were possibly experimental at first but were later deliberate and provide us with insight into his creative process.

 This all started because I am constantly “finishing”—one of those who fits both definitions. Luckily, I don’t “finish” as in process (a cold wax rub for my paintings) because if it’s hanging in the studio I keep refining. Just a few days ago I decided that a small portion of a large painting wasn’t right, a painting that had been there for at least a couple months. I was disturbed that a shape in the corner seemed to lead your eye off the page. At least it was an easy fix and had not gone to a gallery or show.

 Harder than “finishing” the painting will be photographing the “newly finished” piece. 

 

Where Is Home? by Patricia Raible

"Away," 14" x 11", Mixed media collage

"Away," 14" x 11", Mixed media collage

Sometimes home is the place where we live physically, where we earn our living, where our children play in the park, where we walk our dog. Other times “home”  is another physical location, somewhere else—away. Because to be home we must find solace. It must stir our heart.

Some of us have several homes, though similar. Don’t get me wrong. I love the house I share with family, but the place that gives me solace is nature: the mountains, the rivers, the fields, the marshes, the ocean. I think I am made of a bit of it all. I breathe it in and become part of it.

“Away” was inspired by a trip to the barrier islands of the Carolinas.

 

Shifting Fragments by Patricia Raible

Shifting Fragments    16" x 16" Mixed media painting with collage on deep wood panel

Shifting Fragments  16" x 16" Mixed media painting with collage on deep wood panel

 

We all know you can’t prepare for everything. We want change that is gradual and slow so we can see it coming, but life has way of sideswiping you when you least expect it.

Almost 6 years ago my husband had a “heart incident” as we like to call it. His heart fluttered, skipped a beat and threw a small clot. Even the paramedics could find nothing wrong when they arrived, but he felt a pain like “toothache” in his chest. So just to be safe he went to the hospital. While there was no damage, we discovered that sometimes he has an irregular heartbeat. “Sometimes” was really hard to deal with at first, but now after so much time he just exercises, eats right, and carries nitroglycerine in his pocket.

 I was reminded again of how slowly, and quickly, things change and could change, while hiking the trails in Stone Mountain State Park. The large rock faces with layers and splits big enough for climbing were formed by geological exfoliation. While they seem impenetrable, as if they will be there for thousands of years, the reality may be different. The change to these rocks is climate related and normally happens very slowly, but according to the park rangers because we don’t know the depth of the splits there is always the risk that rocks, particularly those with vertical and horizontal cracks, will shatter and slide. Of course, should there be an earthquake, they could crumble very quickly.

 It’s both a bit scary and a bit comforting how human life parallels nature.   Mostly, the changes are gradual, but we are all shifting.

 

 

Positives from Negatives by Patricia Raible

unfinished painting

“What do you do with everything that is cut away?” she asked Tilman, thinking now about the negative space of stone sculpture, the stone that is discarded, thinking too about how she had thrown away huge pieces of her own early life…”
from The Stone Carvers by Jane Urquhart.

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